In ”Transition”, the meeting between nature and culture colide. The photographs show the contrasts between the unrefined and the cosmetic. The organic and the Man made.
The consequence is a visual experience of moderen societys conflict-but also logic-in relation to the surrounding landscape.
The cosmetic landscape is made to function as an extention of Man;constructions made to represent functionality,but also visual qualities.
This cosmetic landscape is not made to be enjoyed by passing commuters,but to work as a `natural` buffer between Man and the surrounding landscape.
I wish to remove the destinction between the estetic and technique, and show these constructions as human interference and human presence.